Sun Oct 26, 2008 1:42 pm by Robert R
Good - I don't have to figure out how to send that diagram!
A. -Correct
B. I thought your blown C2 was 100uf, not 150uf. So confusing, this business of microfarads and watts. Wasn't your blown cap 100uf at 100V?
As to resistors, with series resistance you simply add. R6 and R7 in the drawing were 36 ohms each, giving 72 ohms. By the time they produced yours (which is very late in the Platinum run, right at or maybe even after the end), these were replaced with four 18 ohm resistors, that series foursome that you had to lift to confirm the part number on that coil, remember? Think of that foursome as R6 and R7. It is electronically equivalent, but has a total power rating of 100 watts, making it lots more rugged that the original earlier arrangement shown in the drawing. If memory serves, those two were just rated at 20 watts each; they would have had to be 50 watts each to equal the power handling of what you have.
However they did it, this resistance just reduces ribbon gain, presumably to match with the woofer output.
Now, you have another foursome of identical 18 ohm , 25 watt resistors in there, stacked vertically, but notice, on them the ends are all soldered together. This is the parallel arrangement, and here you divide. So this foursome isn't 72 ohms, it is 4.5 ohms, but still 100 watts rating. The wattage simply warns you of how much heat it can dissipate before it melts down and fails. Here it is 25 watts per single unit, and you have four units, sharing the load equally.
Before they drew the version of the schematic that we have, its pretty obvious that Rs 1,2,4, and 5 were, like 6 & 7 later, made up of just two individual resistors, called R1 and R2. So the next resistor they named came to be called R3, in an unrelated location. Later, when they changed R1 and R2 to a four-unit combo, they named the individual parts R1, R2, R4, and R5, the name R3 having been taken already. Presumably, a later re-draw of the exact version we have here would show R6 an R7 with an R8 and R9, all four together.
By the way, speaking of power resistors - those "box" shaped things, these can get very hot, too hot to touch, and survive just fine. They do have a limit, of course, but nothing for you to worry much about with music.
Interestingly, if you compare page 15 to the Silver Edition crossover on page 11, you'll notice that there is no resistor at all across that ribbon. Apparently there was no need of one to correct balance.
As for the woofer phase tests, it takes only a little time to be sure; just crossing the t's, I suppose, but there were known cases of brand new units getting out into the field with a woofer wired backwards, and there might just still be a few unknown cases left out there. Anyway, when anybody complains of a lack of bass in the Amazings, I always feel it would be irresponsible not to recommend that test. You might find them all in phase but locate one having a shot voice coil, too - not moving at all. There are seven others to cover up problems, remember.
Rob