Why would a genius, a multimillionaire and a cat that's looking forward to attending this year's Carverfest want a measly $5.00 a sig?
All I request would be a decent chat and some good times and fun with the man and the chance to thank him for doing what he does, the way he does it and for helping to change the way audio has evolved. What more could I ask for?
I can hear Ray right now......"Just the chance to hear Bob setup the Amazings with the gear on hand.....THAT right there is worth the admission you have to pay to attend Carverfest. Where else are you gonna get that kind of expertise?"
Hell, I'd rather he can sit there in a cushy chair sipping his DietCoke and finishing a bowl of my Bisque while he walks me through the set-up procedure for my Amazings. THAT ALONE
would be worth the price of admission.
Its going to be used equipment when I sell it, so it may as well be used equipment when I buy it.
Tim deParavicini's E.A.R. Yoshino V20 Integrated Amplifier, Fosgate Signature Phono pre, Lucas Labs 12B4/OD3 LineStage, No. 50 and 51 Carverfest Tube amps, Hammond M3 tube amp, Ariston RD-40 Turntable w/ Linn Basik LSV tonearn, Grado Statement Master1 cartridge, Carver TX-8 & 11 tuners, Carver TD-12, Tascam CC-222mkII CD recorder, DBX-3BX & 200xg & 120x, CarverAudio ALV prototypes, Alesis Studio One loudspeakers, Energy Reference 22 Connoisseur, Cambridge Audio Model 8s, The Carver Research DarkStar Sub and Stax Earspeakers.
THIS SPACE FOR RENT...helping the blind to hear, one valve at a time