nice-- tell us more about the 300B and your Lowthers please
Hi Zoothorn, Sorry i haven't answered this sooner. Been swamped.
I love talking about Lowther speakers and Pete's amps. Here are the latest changes

You'll notice i switched the Alerions and the Medallions around.

Originally I planned on getting the 300b SET ( Single Ended Triode) Interstage Monoblocks. They weren't going to be available for several months, but the PSE ( Parallel Single End) version was so that's what I got. Now keep in mind ya'll are a lot more technical than I will ever be, so i may not necessarily be able to tell you why certain things are happening with this set up, but I can tell you what I hear.

The Lowther Medallions have an 8 inch Full Range driver with an alninco magnet. The driver I used here was a PM5a.
The Alerion uses a 5 inch full range driver with a Neodinium magnet.

Here is the PM5 a driver before I installed it.
The idea with the Lowthers is they are a fullrange speaker. The mids and highs come out of the front of the speaker and the bass comes out of the lower front, after traveling through a folded horn. There are no cross overs, no bi-amping, just an amp, speaker cables and one driver. SOME people bitch about the lack of bass, frankly, if I want bass I can plug a 15 inch sub in and get all of the bass I want. To me that removes the fun of the system. For some reason these speakers with a low powered SET amp deliver unbelievable mid range sound. For me, that sound is to die for, it's kind of like taking a bite of a properly cooked ( medium rare) steak and washing it down with a drink of...well you get the idea.
It's fun trying different amp and speaker combinations looking for that sound, once you hear it, that's it game over.
What I was running into with the Medallions running on the Interstage monoblocks was that magic sound wasn't there, it was like the steak was cooked well. There was one song on Cowboy junkies, it was either Postcard Blues or Walking after Midnight, and there was one note that just wouldn't play. Flat out that one note just misplayed. Now I spent a boatload putting this system together and I really couldn't believe what I was hearing. The Medallions were a lot more expensive than the Alerions and I really wanted those on the flagship mono blocks.
I ended up switching the Alerions and the Medallions around, voila, both systems had that magic I was looking for. It turns out the Alerions with the DX65 driver are a much faster driver and handle detail much better than the Medallions with the PM5a driver.
The difference was the Audio Note 300b amp with the SET config is lower power ( 8wpc) a more relaxed warm sound that the PM5a driver likes and the Interstage mono blocks with the 18wpc 300b PSE config provide the power the DX65 driver likes. Plus, apparently there is a little turf war when running tubes in a parallel config. The PM5a driver is sensitive enough to notice that slight conflict, where the DX65 driver can handle it. I shared my observations with Jon Ver Halen and said he pretty much expected I would settle on this config. He just wanted to see what I came up with on my own.
The Audio Note amps on the other hand, well, I haven't heard very many tube amps, I have listened to Bottle Head 2A3 amps, Synthesis 2A3 amps, Audio Note non kit amps, Sophia Electric and these Audio Note kit amps. These AN kit amps are the ones I like. I wish they weren't so frickin expensive. I remember when my buddy showed me an Audio Note Conquest set up for about $5,000. There was no way I would EVER consider spending that much money on a system. After hearing the extras Pete puts in the Kit amps and the quality of his work, well, let's just say I have learned how to save up my money and buy one nice piece at a time.

Here is a little example of Pete's work. Every wire is exactly how long it needs to be, every solder joint is perfect.

It's a shame all of this work resides behind a black case, never to be seen.
He did such a good job building these that photos my my amps, pre-amp, phono stage and DAC all ended up on Audio Notes web site.
I had a friend many years back who had LaScala
So did I, I grew up listening to La Scalas on a Phase Linear 400. I will never part with them now that I have them. They will be pried out of my cold dead hands.
For some reason I like old classic stuff, the Lowthers, tube amps and Klipsch la Scalas are old technology but they work and sound so well. The newest stuff i have is the Sunfire gear, I do enjoy watching a movie and taking advantage of the 5.1 400 wpc sound effects. When i move in a couple months I will replace the Hereseys with another pair of La Scalas, which will give me 5 La Scalas in 5.1.
Nothing like taking advantage of Dolby

.
In the tube world I traveled down the Lowther world for speakers. I have another buddy that just acquired these transmission lined speakers:

And after hearing these:

My other buddy's Altec A-7 Voice of the Theater speakers ( those are my amps driving them)

Built these. They both like the Altec VOTT system, and it sounds really nice. After hearing the amps Pete built for me, they both ordered the kits for them selves. That pair of Model 19's is for sale and there is another pair of VOTT bass bins they have, I may have to do some arm twisting but I think I can acquire those for a future project.
Next up for me will be playing around with speakers to try on the Sunfire Classic Tube Pre-amp and 600 x 2 amp set up . Right now i have CRS-3's on there. Admitedly I have issues turning the volume knob past 11 o'clock. I think that is a result of listening to Klipsch speakers all of my life. I really need to give those ribbons a work out.