Tonight Sherry and I sat down and gave a listen to some vintage vinyl on an old Technics SL-B92 TT. I had a problem earlier in the week with one of my CF amps being terribly microphonic. I found that all of my RCAs had worked their way loose. Tightened them up...no more problems. Cool. Let's do some listening.
We dug through a pile of LPs she bought me for my birthday several years ago. I found a copy of Neil Young and Crazy Horse's 'Rust Never Sleeps', Van Halen's '5150' and 'Balance', Pink Floyd's 'Final Cut' and the Eagle's first album, Journey's 'Departure' and 'Raised on Radio' and a nice copy of Elton's 'Goodbye Yellow Brick Road'.
Several things became readily apparent, QC in the last days of analogue was worse than poor. As Radio Engineer 2(Mark) was expounding upon at CF12, not all recordings are created equal. Whereas the Eagles had great imaging and soundfield, this record was recorded very well. Raised on Radio was flat and compressed. The Van Halen was actually pretty good...much better than I expected. Rust Never Sleeps was pretty typical fair from 'live' albums of the day. I rediscovered my copy of Grand Funk Railroad's 'Phoenix' and 'On Time' and fondly remembered why these guys were my favorite band growing up.
I have something called a 'Direct Metal Master' of the Crue's 'Girls, Girls, Girls. This is a really good record...even if you don't like Motley Crue. The soundstage is broad and deep and the imaging is very good. Not what you expect from Heavy Metal. Vince isn't surrounded with that usual halo, he's in your face. Tommy's kit is really well recorded, you can feel the kick drums in your chest and this is probably the best rock recording of snare hits I've heard in a while.On 'Wildside' Nikki Sixx is plainly off to Vince's right and Mick Mars. Tommy's drumming is back a ways behind Vince, and that drum kit sounds huge.
I wonder what this rig will sound like with a decent TT?
Its going to be used equipment when I sell it, so it may as well be used equipment when I buy it.
2017 IS THE YEAR OF THE HEADPHONE