Good sounding, reliable NOS tubes are getting harder to find as time goes on. I found matched quads for $450. IFAIAC that's too much money to spend on something older than I am especially when you don't know how long it's really going to last. SO... I think going with a good strong new tube that's priced right and readily available and rolling in a new high quality cap is a better option....at least for me.
I've noticed in the reading I've been doing over the past several months caps are discussed like tubes. The authors use the same language and terms when describing what they lend or don't lend to the sound. Keeping that in mind I developed a 'modding plan' for my CF amps. I've read where some modders have replaced just the resistors and that alone made huge differences.
Better parts and all huh?
I welcome discussion....what do y'all think?
Its going to be used equipment when I sell it, so it may as well be used equipment when I buy it.
Tim deParavicini's E.A.R. Yoshino V20 Integrated Amplifier, Fosgate Signature Phono pre, No. 50 and 51 Carverfest Tube amps, Hammond M3 tube amp, Ariston RD-40 Turntable w/ Linn Basik LSV tonearn, Shure V15 type IIIG cartridge, Cardas Silver wire service and wire block, Carver TX-8 & 11 tuners, Carver TD-12 & 1700 decks, Tascam CC-222mkII CD recorder, Carver HR-742 reciever, DBX-3BX & 200xg & 120x, CarverAudio ALV prototypes, Alesis Studio One loudspeakers, Dahlquist DQ-8s, The Carver Research DarkStar Sub and Stax Earspeakers.
THIS SPACE FOR RENT...helping the blind to hear, one valve at a time